Stereo Video Production : ExportScott Lawrence (formerly with Vuzix Corp.)
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Introduction
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Hardware
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Filming
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Interlace
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Edit
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Export
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View
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NOTICE: The following directions are out of date. The HandBrake settings might be incorrect. Furthermore, Vuzix Eyewear now support a side-by-side format for 3D which preserves the picture quality much more easily.
The video encoding must preserve discrete video information in both fields in order to prevent ghosting of the imagery on playback. However, it is difficult at best to preserve field data for lower bitrate movies in the MPEG formats that we must use for distribution for common playback devices.
We've done a fair bit of testing of different content at different bitrates. What follows is the resulting knowledge from all of our testing, as well as the specifications provided by the various playback device manufacturers.
There is no global standard as to which eye should be in which field. 3D Digital Cinemas that use an interlaced video file format will store the left eye in the upper (first) field. For compatibility sake, we recommend doing this as well. We also recommend that all of your content adhere to the same standard across all of your produced media.
This is probably the easiest format for which to generate high quality 3D stereoscopic content. Your content needs to mastered for DVD as a full-frame(4:3) NTSC 480i video. The fields must remain as independent as possible during the transcoding process, so that the two streams of video remain independent of each other. Some transcoders/resizers will take a full frame, consisting of both fields, and resize them as one complete image, mixing the fields together.
If resizing is necessary due to the source content being of a higher or lower resolution, then care must be taken to make sure that the two eyes are either scaled independently of each other, or that the independence of the fields is preserved. We recommend doing any resizing as early in the workflow as possible; before applying the 3D interlacing if possible.
Apple has accounted for the limited bitrate capability of iPod devices by providing H.264 based compression which looks better than MPEG-4 at low bitrates. Our research has shown that this fails to preserve field-based content, so it is not useful for field-sequential stereoscopic video.
We recommend the highest bitrate you can comfortably distribute. A 5 minute movie at 1 Mbps takes half the space of a 2 Mbps movie, but as described earlier, that extra bandwidth is critical to reproduce the two independent eyes of imagery. We have not had any good results going below 1.75 Mbps; imagery gets very blocky, colors get mixed between eyes.
Please refer to Apple documentation for full details about producing MPEG4 video content for use with the iPod and iPhone. We suggest transcoding your content to a few bitrates to see which is the lowest acceptable.
IWEAR_3D - Left dominant 3D
IWEAR_3DL - Left dominant 3D
IWEAR_3DR - Right dominant 3DThe end user will need to make sure that their iPod is set for "NTSC" and enable "TV Output". If these steps are not taken, then the image may appear on the external viewing device either as a flickery, desaturated mess, or not at all.
For the sake of brevity, only Macintosh tools will be discussed in this documentation.
Stereo 3D content should be exported from Final Cut through Compressor from Apple. As explained previously, all of the built-in DVD video settings should be adequate to faithfully reproduce the stereo 3D effect properly. That is to say that any of the 90, 120, and 150 minute NTSC 4:3 presets work fine.
We have not had very good luck exporting footage through compressor using its built-in iPod presets. The above video shows how to create a new preset for exporting field-sequential video for iPod.
An alternate method is of course to use the above procedure and export your video to DVD, then use a DVD extraction tool like "HandBrake" to read the DVD back in, and generate the iPod format videos. We have had very good results using this tool to do these kinds of things. See the below "Transcoding" section for more information on this subject.
Transcoding your video data from one format to another can be tricky, but if you're careful you can have some excellent results. Always remember to stay within the parameters for the target device as described above.
NOTE: Extracting video data from copy protected or store purchased DVDs or any other copy protected medium is an illegal action, and can result in legal action being taken against you. Any discussion on this matter in this document applies to DVD content that you have produced yourself, is on non-copy protected media, and you posess the legal rights to do so.
Handbrake is useful for taking your legal, unprotected DVD content and generating iPod-ready footage from it. Do note however, that you will need to edit the "Composer" tag, as described above in order to work properly with the IP230 devices.
The recommended settings for HandBrake for producing field-sequential stereo-capable iPod files is as follows.
You can now use this preset whenever you have 3D Stereo DVD content to convert to iPod-displayable content.
Any sort of vertical cropping of the image, or otherwise producing a non 480 line output image will result in damage to the 3D reproduction process.
Visual Hub is a tool that takes in video files in just about any video format, and exports in just about any other video format. Do note however, that you will need to edit the "Composer" tag as described above in order to work properly with the IP230 devices.
The recommended settings for VisualHub for producing field-sequential stereo-capable iPod files is as follows.
You may also want to do the following if its results are not acceptable
You may want to convert your video content using both sets of settings and distribute the one that has the better quality output with your content.
We have had good results converting video formats for iPod use, with Total Video Converter. It is able to reproduce stereo 3D from the resulting iPod movies without problems.
We recommend that you use as high of a bitrate as possible. Refer to the table earlier in this documentation for the limits and format of iPod file formats.
This page is a part of the Yorgle Notebook.